Helen Marten in conversation with Matias Faldbakken . Alluding to language, systems and intentionality, her work across all media sets out to imagine the miraculous substructure beneath the veneer of our habitual lives. A Transformation of Something That Could Otherwise be Very Ordinary, English artist Helen Marten uses an internal, cryptic logic to unpick the binary relationship between question and answer. The result strikes, in her words, “a balance between the seamless, coldness of fabrication, and then a kind of assertive crappiness.” Marten’s object ecosystems have the visual wit of Sarah Lucas or Robert Gober—or Martin Kippenberger, one of her influences—but they hold a deeper tension in terms of the presence of the artist’s hand versus the sleek seduction of the surface. She then wads it with simulacra, showing the riddled possibilities of the endless associations between A and B, or even C and D and E. Ordinarily, she has done this through her sculptural and installation works. She is currently working on a novel. Evian Disease, with its hyper-real imagistic juxtapositions of nature and commodity inhabiting a flattened plane, “reeks of dishonesty,” according to the artist. We explore the path of … No, it’s not like really being there. Review: Helen Marten’s debut novel The Boiled in Between. Crafted from wood, steel and clay, or domestic items, Marten’s output includes sculpture, videos, text, and screen-printed paintings. And stupid images can be absolute. Seit über 25 Jahren ermittelt "Ein starkes Team" in Berlin. PANTS: MARTEN’S OWN. ‘A character falling poses a paradox, a confusion of figure and field…’. Skye Arundhati Thomas, October 21, 2016 Münzen, Wattestäbchen und Schüsseln zu Skulpturen und Installationen: Für ihre Kunst aus Alltagsgegenständen hat die 30 Jahre alte Helen Marten den renommierten britischen Turner … I do believe that provisional absurdities can provide deeply profound interpretation. I was born on 10th June 1912 in Presov. Die 31-jährige Engländerin überzeugte die Jury mit Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. behind the scenes, Helen Marten in conversation with Matias Faldbakken . I can’t help but see concept or metaphor in most things. Issues, “I suppose I’m trying to upset the expected rhythms of daily circumstance,” she says, “exploring what it means to be a tribal human preoccupied with the status of toothpaste, the floppiness of pasta, eroticism of rubbish, or tedium of hair.”. Grandson and Tom Morello on What Rock and Roll Means in 2021 ’90s Heartthrob Nick Carter Takes Us Back to the ’80s With His Favorite Films of the Era; Channel Tres Is Listening to Prince Demos, Kendrick Lamar, and Kali Uchis; Meet Sfera Ebbasta, Italy’s Superstar-in … Helen Marten: I suppose in immodest failure the world survives, and it might be as simple as saying that this kind of noise is the rhythm that structures all bigger ideas. SWEATSHIRT: TOPSHOP. I feel a mutual devotion and disgust to all of these categories, but one fundamentally powered by an obsession with their abundantly shared incongruities. All Rights Reserved. Imagine people as points of civic ordinance all mostly existing within an envelope structure of ethical morality. COAT: EMPORIO ARMANI. 'I like to imagine', she says, for an interview coinciding with this show, 'that there's a formula for smelling attractive and one for parking your car'. Allen voran Luisa und Francesca - zwei junge Frauen, die unterschiedlicher nicht sein könnten. The exhibition of works by the finalists opens today. Marten’s film Evian Disease plays until July 2013 at the Palais de Tokyo in Paris. Berlin - Starke Quote für «Ein starkes Team»: Der ZDF-Krimi hat am Samstagabend ab 20.15 Uhr der Konkurrenz keine Chance Not like walking around it. This article originally appeared in Border Crossings #151, published September 2019. fineartmultiple ™ Lesen Sie die neuesten Sammler-Interviews Not like walking around it. interview, I wanted to brutally twist that, not make a space of indeterminate collage, but really wring material process, image digestion and language intent into something else. People operating algorithmically: exchanging, living, dying, fucking, breathing, labouring. Das Temperament, das Luisa fehlt, hat Francesca doppelt und dreifach. Helena Marten - ein Pseudonym des sich neu zusammengefundenen Autorinnen-Duos Bettina Querfurth und Susanne van Volxem - schreibt mit Die Porzellanmalerin über den Kampf um das weiße Gold in Deutschland im 18. These bigger cultural concepts – identity, economy, survival – are simply packaging for billions of smaller fractured events. Take the disarming mutant vacation sculpture No juice about it (2011): The piece consists of a grid of bamboo fencing, which is actually made of steel, on which a patchwork quilt and a lei are strung, and in front of which a clay-looking pineapple, actually fashioned from cast aluminum, is coyly humanized by wearing a pair of Oakley sunglasses. HM: I sat at a desk every day for about a year and when things didn’t pour out, I opened other books and used their words like lakes to swim in. MG: What was the process of creating a work like this? Magazine, “There is nothing to touch, no smell, just this weird rubbery shell that at the same time is both materially dead and data-osmotic. Auf weitere Projekte mit dem Namen „Helena Marten“ freue ich mich jetzt schon. HM: When I first started writing the book, I had emerged from a madly busy period of making exhibitions and I was frustrated with the conventional retinal way of looking at things: eyes-forward-straight-ahead-right-now. PHOTO: HELEN MARTEN IN LONDON, OCTOBER 2012. Helen Marten wins Turner Prize | Helen Marten has been awarded this year’s Turner Prize, overcoming stiff competition in what many critics judged to be the award’s strongest shortlist in years. https://www.monopol-magazin.de/helen-marten-gewinnt-turner-prize So always movement, clogged or facilitated by language, always a vehicle of sorts, and always plot but perhaps not always conventionally surfaced. To be off-balance or ever en route necessarily forces a reclamation or re-articulation of a body’s relationship to the earth, to gravity, to itself. Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. Helen Marten bolsters her paintings with sculptural elements while her sculptures look like paintings. As the story progresses, these areas seem to meld. The novel puts into forefront a myriad of vital questions relevant for all who tend to delve deeper into matters of both life and language. One of the most compelling artists to emerge out of London in the past few years is 26-year-old sculptor and video artist Helen Marten. Helen Highly Expands the Correlations. Helen Marten: Drunk Brown House at the Serpentine North Gallery brought together work never before presented in London with new work in an installation that was conceived specifically in relation to the Gallery. What You Need to Know About Turner Prize Winner Helen Marten Johanna Hedva Well, I’m a goth, so I’m partial to the ones who speak of death as the totalising divine. Is there something about a person in descent that is inherently more interesting? They are in and of many of the things they discuss: wind, weather, animal, blood. Folge sprachen wir mit den Hauptdarstellern über Parkplatzsex, Schubladendenken und die in 2016 verstorbene Maja Maranow. Artist Helen Marten, who also appears in this issue’s portfolio of London artists, spoke with Wolfson about his videos and what he’s trying to achieve somewhere in the flurry of it … “Helen Marten: Fixed Sky Situation” was exhibited at König Galerie, Berlin, from January 12 to February 24, 2019. English artist Helen Marten uses an internal, cryptic logic to unpick the binary relationship between question and answer. MG: Contrary to your other characters, which appear to be embroiled in the mess – implicated – The Messrs. sit above the story, looking down. THE SUMMER HELEN MARTEN MET HAIM STEINBACH was the summer the cicadas returned to New York, emerging from a seventeen-year slumber deep inside the earth. In this profile we explore her rise to art stardom. I do believe that provisional absurdities can provide deeply profound interpretation. To trip up is to notice something. Since the pandemic began, she had been away from her home in the UK and was living in Holland. In short, perhaps Ethan recognises through all his relentless performance of misery and ridicule, that multiplicity is essential to understanding, that the form of words symbolises an indefinite number of diverse propositions. https://www.interviewmagazine.com › art › london-helen-marten Even garbage is alluring because it informs us of human systems. Through The Boiled in Between, however, Marten’s first work of fiction, the artist enmeshes her chaotic depictions of humanity into an abstract wordscape that floats and falls and gushes with observational intensity. The interviewer conducted this oral history as part of his/her coursework for the Spring 2010 class, Oral History: The Art of the Interview. Jasmine Reimer is an artist and writer living and working in Berlin and Toronto. With Modern Matter, the artist discusses this new extension of her practice, presented here alongside a selection of artworks inspired by the book – from Marten’s most recent show at Sadie Coles HQ, London – and an extract from the book itself. culture, MG: The linguistic rhythm of the book is like dreamwork: the words are soft and elegant, distorting the frictions and unpleasantness experienced by the protagonists. Jahrhundert. A screening of her new film Dust and Piranhas was presented at the Serpentine Pavilion, London, in September as part of the gallery’s ‘Park Nights’ series. Home; Ilona “Helen” Martin Interview from 1999; Ilona Goldmann aka Helen Martin. Ihre Geschichte wird dabei von einer fiktiven Frauen-Person in Hosenrolle quasi als roter Faden durch den Roman getragen. MG: On page 104, you write: ‘Ethan held a pistol once and felt how irrelevant true or false was in the pursuit of knowledge.’ Why is that so? I suppose they are something of all people – an audience, constructed always and forever by whomever and whenever, by time and spirit. Traditional Teachers of English Grammar, 2012, by Helen Marten Someone asks her a sensible question and she answers by making a comparison between perfume and a multi-storey car park. “Helen Marten: Fixed Sky Situation” was exhibited at König Galerie, Berlin, from January 12 to February 24, 2019. Art, – but what I mean is that their presence is designed to be a simultaneity: as omnipotent as the cosmos and as evidence, more and more, that simplicity doesn’t exist. She graduated from the Ruskin School of Fine Art at Oxford University in 2008 and has since had several solo exhibitions, the most recent at Kunsthalle Zürich. What is this effect in your work? Interview. In her emails, she gave small glimpses into her life there, with anecdotes about her morning walks and the animals she observed, including ‘something long and red, low to the ground, like a hairy frankfurter with legs’. Courtesy Sming Sming Books. Helen Marten works across sculpture, painting and writing to create a body of work that questions the stability of the material world and our place within it. I know that sounds impossibly enigmatic – a riddle! Illustrations by Isabelle Albuquerque. 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